Set several years after the events of Summer of the Aliens, Lewis is now in a strained relationship with a bossy woman named Lucy, and in a friendship with political extremist, Nick. Lewis is always desperate for work as he states "I need the money". The venue is a theatre that smells of "burnt wood and mould", the cast are patients with very diverse needs, and the play is Mozart'sCosì fan tutte. Through working with the patients, Lewis eventually discovers a new side of himself which allows him to become emotionally involved and to value love, while anti-Vietnam war protests erupt in the streets outside.
The patients make up a wide spectrum including Roy, a manic-depressive with a passion for theatre; Cherry, who has a food obsession and is a Lewis-addicted romantic; Ruth, suffering from obsessive–compulsive disorder (OCD) and is shown as obsessed with counting and distinguishing between illusions and reality; Doug, a pyromaniac, who loves sexual innuendo; Julie, dependent on drugs in the outside world; Henry, an older, silent man, previously a lawyer; and Zac, a drugged-up pianist.
Ben Mendelsohn stars as Lewis Riley, an unemployed young man who applies for a job as a director/drama teacher at a mental hospital. He lands the job and finds himself directing a production of the Mozart opera Così fan tutte, an elaborate, demanding piece of theatre, an opera in Italian. And it is going to be performed by a cast that he must select from among the patients, who only speak English.
One of the patients, Roy (Barry Otto), sweeps everything along before him, organising auditions, selecting cast members, and criticising the director. The cast chosen include three women: Julie (Toni Collette), Ruth (Pamela Rabe), and Cherry (Jacki Weaver); and two men: Henry (Paul Chubb) and Doug (David Wenham). The musical director is Zac (Colin Hay). The enthusiasm of Roy infects the group, and they charge headlong into a memorable production.
Mozart! is an Austrian musical, originally written in German. The original book and lyrics were written by Michael Kunze and the music and arrangements were composed by Sylvester Levay. The show is a new imagining of the struggles of the famous composer.
The original production was directed by the opera director Harry Kupfer. It premiered on October 2, 1999, in the Theater an der Wien, and the final performance was on 7 May 2001. It ran for 419 performances, showing to approximately 420,000 patrons.
The production appealed especially to younger Viennese audiences. Subsequent productions have been mounted in:
Mozart was an express train that linked Paris with Vienna via Strasbourg, Stuttgart and Munich. The service began in 1954, as an F-Zug running between Strasbourg and Salzburg, before being extended ten years later. In 1983 it was re-classified as an FD-Zug and it was added to the EuroCity network in 1989. It operated until 2007, when it was replaced by a TGV service on the newly opened LGV Est. It was named after the composer Wolfgang Amadeus Mozart, and served many cities with which he had an association.
It will be different from the original production, Hopwood said, but fantastic ... FOOT-AND-MOUTH ... SOCIALLY DISTANCED MOZART ... 29 ... As well as Wagner, the 2021 repertoire includes Mozart’s “Cosi fan tutte”, an old favourite that can be done in a COVID-safe way, and three new productions of operas by Janacek, Rossini and Verdi ... .
Building on its presentation of the Mozart opera “Cosi fan tutte,” Pittsburgh Opera will present six performances of composer David T ... The six performances will be from Dec. 5 to Dec. 17 ... 15 and 17 performances ... ....
A typical opera opening night is abuzz with excitement ... I was chief among them ... Each of the six singers had moments to shine ... He sang of love again as Ferrando from Mozart’s “Cosi fan tutte” in “Un’aura amorosa.” Clean, elegant lines with generous ornamentation fit him like a glove ... A program of opera favorites ... Nov ... .
“Stop it with Wagner! PlayMozart!” ... The Mozart is “Covid fan Tutte,” an outrageous operatic spoof of “Cosi fan Tutte.” With spikes of COVID-19 the world over, this is clearly no time for a kidding around ... The kidding in the “Covid” finale, following the example of “Cosi,” becomes, in the way that has always made Mozart matter, caring.