-
MOZART - COSI' FAN TUTTE (1790) with double subs It-Eng
According to Stendhal, to enjoy an opera sung in a language that we do not know, it would be enough to have just a basic outline of the plot. In my view, in the case of Mozart, this would mean neglecting the close attention he always paid not only to the dramaturgy but to every word of his operas’ libretti; and, as regards those of Da Ponte, it would mean overlooking three great comedies. Not for nothing, Stendhal was one of the detractors of “Così Fan Tutte”, joining his to Wagner’s, Beethoven’s and other’s hasty and superficial misjudgments that condemned in particular its text as frivolous, if not “immoral and trivial”, “unworthy of Mozart’s genius” (so did Beethoven, and yes, “Così” is not “Fidelio”!)
- But let me say… Trivial??? You’ll never know what you’ve missed! -
Perhaps, the lac...
published: 14 Oct 2019
-
Mozart - Cosi fan tutte - Janowitz, Ludwig, Alva, Prey (Böhm)
Wolfgang Amadeus Mozart - Cosi fan tutte
Libretto by Lorenzo da Ponte
Fiordiligi.... Gundula Janowitz
Dorabella.... Christa Ludwig
Despina.... Olivera Miljakovic
Ferrando.... Luigi Alva
Guglielmo.... Hermann Prey
Don Alfonso.... Walter Berry
Wiener Philharmoniker and Wiener Philharmonia Chor
Conducted by Karl Böhm
Directed by Vaclav Kaslik
1969
published: 05 Sep 2016
-
Mozart Overture Cosi fan tutte - Sinfonia Rotterdam / Conrad van Alphen
Mozart Overture Cosi fan tutte performed live by Sinfonia Rotterdam under the baton of Conrad van Alphen in De Doelen Rotterdam on 26 September 2015.
Video by Max Boeree and Sound by Peter Arts
published: 23 Oct 2015
-
Così fan tutte: 'Soave sia il vento' – Mozart
Nicolas Rivenq as Don Alfonso, Miah Persson as Fiordiligi and Anke Vondung as Dorabella sing the trio 'Soave sia il vento' in the 2006 Glyndebourne Festival Production of Mozart's Così fan tutte.
The DVD and Blu-ray of this production are available from the Glyndebourne Shop: https://www.glyndebourneshop.com/products/cosi-fan-tutte-2006
published: 27 May 2010
-
Mozart, Cosi Fan Tutte, Marriner
Wolfgang Amadeus Mozart - Cosi Fan Tutte
Mattila, Van Otter, Araiza, Van Dam, Allen
Academy of St Martin in the Fields
Neville Marriner
Decca, June 1 2009
published: 31 Mar 2015
-
Mozart | Così fan tutte | Wiener Philharmoniker | Joana Mallwitz | Salzburg 2020
Salzburger Festspiele 2020 | aus dem Großen Festspielhaus
"Così fan tutte" | Dramma giocoso in zwei Akten
Musik: Wolfgang Amadé Mozart
Libretto: Lorenzo Da Ponte
Wiener Philharmoniker
Vereinigung Wiener Staatsopernchor
Dirigentin: Joana Mallwitz
Choreinstudierung: Huw Rhys James
Regie: Christof Loy
Fiordiligi: Elsa Dreisig
Dorabella: Marianne Crebassa
Guglielmo: Andrè Schuen
Ferrando: Bogdan Volkov
Despina: Lea Desandre
Don Alfonso: Johannes Martin Kränzle
published: 09 May 2022
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Mozart - Cosi Fan Tutte (with Cecilia Bartoli, Liliana Nikiteanu, Agnes Baltsa) | Act 1/2
From Opernhaus Zürich, Switzerland, 2000
Wolfgang Amadeus Mozart’s Opera in Two Acts, with libretto by Lorenzo da Ponte
Watch the second act: https://youtu.be/jy9ujQm6BrE
Subscribe to wocomoMUSIC: https://goo.gl/ahZRzC
Follow us on Facebook: http://www.facebook.com/wocomo
Fiordiligi - Cecilia Bartoli (mezzo-soprano)
Dorabella - Liliana Nikiteanu (mezzo-soprano)
Ferrando - Roberto Saccà (tenor)
Giulelmo - Oliver Widmer (bass-baritone)
Despina - Agnes Baltsa (mezzo-soprano)
Don Alfonso - Carlos Chausson (bass-baritone)
Chorus and Orchestra of the Opernhaus Zürich
Nikolaus Harnoncourt - conductor
Wolfgang Amadeus Mozart - Così Fan Tutte
0:00 Overture
4:37 Act I Trio "La mia Dorabella"
7:48 Act I: Trio "E la fede delle femmine"
10:52 Act I: Trio "Una bella serenata"
13:48 Act I: Duet "Ah! ...
published: 08 Mar 2021
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Mozart's Così fan tutte: What is the story?
Our Così fan tutte cast tell us what it's all about, from the rehearsal studio...
Fiordiligi: Alexandra Lowe
Dorabella: Heather Lowe
Ferrando: Anthony Gregory
Guglielmo: Henry Neill
Touring Feb–Apr 2024
Book 👉 https://www.operanorth.co.uk/whats-on/cosi-fan-tutte/?utm_source=youtube&utm_medium=social&utm_campaign=cosi
published: 10 Jan 2024
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W.A. Mozart: Cosi fan tutte
Wolfgang Amadeus Mozart (1756-1791): Cosi Fan Tutte KV588
Dramma giocoso in 2 acts
Libretto by Lorenzo da Ponte
First performance at the Burgtheater, Vienna, January 26, 1790
Fiordiligi: Valentina Nafornita
Dorabella: Stephanie Guerin
Guglielmo: Robert Gleadow
Ferrando: Joel Prieto
Despina: Susana Cordon
Don Alfonso: Bruno de Simone
Lausanne Chamber Orchestra
Chorus of the Lausanne Opera
Pascal Mayer, direction
Musical direction: Joshua Weilerstein
Director: Jean Liermier
Sets and costumes: Rudy Sabounghi
Lights: Jean-Philippe Roy
Wigs and beards: Cécile Kretschmar
Assistant director: Jean-Philippe Guilois
published: 03 Dec 2022
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Così fan tutte – Come Scoglio aria (Corinne Winters, The Royal Opera)
Corinne Winters in Mozart's theatrical and tuneful comedy about love and fidelity. Find out more https://www.roh.org.uk/productions/cosi-fan-tutte-by-jan-philipp-gloger
Così fan tutte contains some of Mozart's most beautiful arias and attractive ensembles, and is packed with both pathos and humour. German director Jan Philipp Gloger is inspired by Così's alternative title, 'the school for lovers', to set his production in a theatre, with Don Alfonso as an impresario who leads the four lovers on a role-playing journey full of picturesque settings. By the end, everyone has, in Gloger's words, learnt that 'love is not a God-given thing, but something that we have to fight for, find, define, create and dream newly, almost every day'.
Così fan tutte was Mozart's final collaboration with the I...
published: 08 Jan 2019
3:13:24
MOZART - COSI' FAN TUTTE (1790) with double subs It-Eng
According to Stendhal, to enjoy an opera sung in a language that we do not know, it would be enough to have just a basic outline of the plot. In my view, in the...
According to Stendhal, to enjoy an opera sung in a language that we do not know, it would be enough to have just a basic outline of the plot. In my view, in the case of Mozart, this would mean neglecting the close attention he always paid not only to the dramaturgy but to every word of his operas’ libretti; and, as regards those of Da Ponte, it would mean overlooking three great comedies. Not for nothing, Stendhal was one of the detractors of “Così Fan Tutte”, joining his to Wagner’s, Beethoven’s and other’s hasty and superficial misjudgments that condemned in particular its text as frivolous, if not “immoral and trivial”, “unworthy of Mozart’s genius” (so did Beethoven, and yes, “Così” is not “Fidelio”!)
- But let me say… Trivial??? You’ll never know what you’ve missed! -
Perhaps, the lack of a well-established literary source (unlike the other two Mozart-Da Ponte operas) left this libretto more vulnerable to criticism, but actually, many elements of the plot had an ancient and noble ancestry and were widely spread in Europe culture of the 18th century and in particular in the Burgtheater’s repertory of those times.
Unfortunately, a text so full of sophisticated literary and operatic quotations, allusions, sayings, proverbs was hardly conveyable in other languages (in the first performances it was available in Italian only, or in a clumsy German translation). Thus it was, in fact, altogether ignored or misinterpreted, and the work, as that miracle of balance and symmetry Mozart and Da Ponte had conceived, risked being definitively lost through the distortions, mutilations and odd adaptations to new libretti it suffered over the next century.
Besides, frivolous? Immoral? Woe if Da Ponte hadn’t treated gaily and lightly an experiment, moreover involving a wager, to demonstrate women’s fickleness! (a subject probably inspired by a recent society scandal in Vienna). It would have been unbearably hateful and cynical, if delivered too seriously or realistically (thing however impossible, within the 24-hours of the three unities rule), as well as it would have been, if rendered with an excess of buffoonery. No, Da Ponte displays all his literary prowess in conceiving a human intermingling of truth and illusion, superficiality and profundity, and in rendering it then with a predominantly humorous mode, through overt theatricality, witty parodies, and broad comedy, but not excluding moments of sincere emotion. And Mozart displays all his brilliant inventiveness in conveying, with the tiniest details of his musical choices (deploying of instruments, cadences, rhythm, modulations…), every trait of the text, from biting irony to heartfelt empathy, as and when the two couples of betrothed lose their shallowness and acquire human depth.
As always, Da Ponte’s witty, refined, and well-constructed writing offers Mozart the opportunity to insert music from multiple traditions, which responds to and furthers with equal allusive strength what the text suggests. They give proof of misinterpreting this libretto or ignoring the close collaboration Mozart-Da Ponte, those who talk about discrepancy between “Così”’s music and text, whereas, on the contrary, there are always perfect synergy and interaction.
With an intentionally ambiguous tactic, Da Ponte and Mozart bring us continually almost on the verge of emotional involvement, only to swerve again towards irony at the last moment. There's no shortage of humor even in the forgiving scene immediately before the final moral!
But, to understand and fully appreciate much of the ingenuity on the part of composer and librettist together, to grasp irony within ambiguity, to recognize the satirical intent even when the line between pathos and parody becomes finer, it is necessary to follow the words throughout the opera, recitatives included!
“Così” is preeminently an opera of ensembles, where the characters’ different emotions and views on the events can confront each other simultaneously or rapidly overlapping. I’ve unraveled their lines individually, not only to reveal all that insightful wit which traditional subtitles often cut out, but also to highlight the athletic vocal writing of one of Mozart's most difficult scores.
January 26 2020 the 230th anniversary of its premiere.
CAST:
Fiordiligi: Barbara Frittoli
Dorabella: Angelika Kirchschlager
Guglielmo: Bo Skovhus
Ferrando: Michael Schade
Despina: Monica Bacelli
Don Alfonso: Alessandro Corbelli
Chorus and Orchestra of Vienna State Opera
Conductor: Riccardo Muti
directed for the stage by Roberto de Simone
directed for TV by Brian Large
Recorded live at the Theater an der Wien, Vienna, 1996.
https://wn.com/Mozart_Cosi'_Fan_Tutte_(1790)_With_Double_Subs_It_Eng
According to Stendhal, to enjoy an opera sung in a language that we do not know, it would be enough to have just a basic outline of the plot. In my view, in the case of Mozart, this would mean neglecting the close attention he always paid not only to the dramaturgy but to every word of his operas’ libretti; and, as regards those of Da Ponte, it would mean overlooking three great comedies. Not for nothing, Stendhal was one of the detractors of “Così Fan Tutte”, joining his to Wagner’s, Beethoven’s and other’s hasty and superficial misjudgments that condemned in particular its text as frivolous, if not “immoral and trivial”, “unworthy of Mozart’s genius” (so did Beethoven, and yes, “Così” is not “Fidelio”!)
- But let me say… Trivial??? You’ll never know what you’ve missed! -
Perhaps, the lack of a well-established literary source (unlike the other two Mozart-Da Ponte operas) left this libretto more vulnerable to criticism, but actually, many elements of the plot had an ancient and noble ancestry and were widely spread in Europe culture of the 18th century and in particular in the Burgtheater’s repertory of those times.
Unfortunately, a text so full of sophisticated literary and operatic quotations, allusions, sayings, proverbs was hardly conveyable in other languages (in the first performances it was available in Italian only, or in a clumsy German translation). Thus it was, in fact, altogether ignored or misinterpreted, and the work, as that miracle of balance and symmetry Mozart and Da Ponte had conceived, risked being definitively lost through the distortions, mutilations and odd adaptations to new libretti it suffered over the next century.
Besides, frivolous? Immoral? Woe if Da Ponte hadn’t treated gaily and lightly an experiment, moreover involving a wager, to demonstrate women’s fickleness! (a subject probably inspired by a recent society scandal in Vienna). It would have been unbearably hateful and cynical, if delivered too seriously or realistically (thing however impossible, within the 24-hours of the three unities rule), as well as it would have been, if rendered with an excess of buffoonery. No, Da Ponte displays all his literary prowess in conceiving a human intermingling of truth and illusion, superficiality and profundity, and in rendering it then with a predominantly humorous mode, through overt theatricality, witty parodies, and broad comedy, but not excluding moments of sincere emotion. And Mozart displays all his brilliant inventiveness in conveying, with the tiniest details of his musical choices (deploying of instruments, cadences, rhythm, modulations…), every trait of the text, from biting irony to heartfelt empathy, as and when the two couples of betrothed lose their shallowness and acquire human depth.
As always, Da Ponte’s witty, refined, and well-constructed writing offers Mozart the opportunity to insert music from multiple traditions, which responds to and furthers with equal allusive strength what the text suggests. They give proof of misinterpreting this libretto or ignoring the close collaboration Mozart-Da Ponte, those who talk about discrepancy between “Così”’s music and text, whereas, on the contrary, there are always perfect synergy and interaction.
With an intentionally ambiguous tactic, Da Ponte and Mozart bring us continually almost on the verge of emotional involvement, only to swerve again towards irony at the last moment. There's no shortage of humor even in the forgiving scene immediately before the final moral!
But, to understand and fully appreciate much of the ingenuity on the part of composer and librettist together, to grasp irony within ambiguity, to recognize the satirical intent even when the line between pathos and parody becomes finer, it is necessary to follow the words throughout the opera, recitatives included!
“Così” is preeminently an opera of ensembles, where the characters’ different emotions and views on the events can confront each other simultaneously or rapidly overlapping. I’ve unraveled their lines individually, not only to reveal all that insightful wit which traditional subtitles often cut out, but also to highlight the athletic vocal writing of one of Mozart's most difficult scores.
January 26 2020 the 230th anniversary of its premiere.
CAST:
Fiordiligi: Barbara Frittoli
Dorabella: Angelika Kirchschlager
Guglielmo: Bo Skovhus
Ferrando: Michael Schade
Despina: Monica Bacelli
Don Alfonso: Alessandro Corbelli
Chorus and Orchestra of Vienna State Opera
Conductor: Riccardo Muti
directed for the stage by Roberto de Simone
directed for TV by Brian Large
Recorded live at the Theater an der Wien, Vienna, 1996.
- published: 14 Oct 2019
- views: 155721
2:32:39
Mozart - Cosi fan tutte - Janowitz, Ludwig, Alva, Prey (Böhm)
Wolfgang Amadeus Mozart - Cosi fan tutte
Libretto by Lorenzo da Ponte
Fiordiligi.... Gundula Janowitz
Dorabella.... Christa Ludwig
Despina.... Olivera Miljakov...
Wolfgang Amadeus Mozart - Cosi fan tutte
Libretto by Lorenzo da Ponte
Fiordiligi.... Gundula Janowitz
Dorabella.... Christa Ludwig
Despina.... Olivera Miljakovic
Ferrando.... Luigi Alva
Guglielmo.... Hermann Prey
Don Alfonso.... Walter Berry
Wiener Philharmoniker and Wiener Philharmonia Chor
Conducted by Karl Böhm
Directed by Vaclav Kaslik
1969
https://wn.com/Mozart_Cosi_Fan_Tutte_Janowitz,_Ludwig,_Alva,_Prey_(Böhm)
Wolfgang Amadeus Mozart - Cosi fan tutte
Libretto by Lorenzo da Ponte
Fiordiligi.... Gundula Janowitz
Dorabella.... Christa Ludwig
Despina.... Olivera Miljakovic
Ferrando.... Luigi Alva
Guglielmo.... Hermann Prey
Don Alfonso.... Walter Berry
Wiener Philharmoniker and Wiener Philharmonia Chor
Conducted by Karl Böhm
Directed by Vaclav Kaslik
1969
- published: 05 Sep 2016
- views: 596723
5:44
Mozart Overture Cosi fan tutte - Sinfonia Rotterdam / Conrad van Alphen
Mozart Overture Cosi fan tutte performed live by Sinfonia Rotterdam under the baton of Conrad van Alphen in De Doelen Rotterdam on 26 September 2015.
Video by M...
Mozart Overture Cosi fan tutte performed live by Sinfonia Rotterdam under the baton of Conrad van Alphen in De Doelen Rotterdam on 26 September 2015.
Video by Max Boeree and Sound by Peter Arts
https://wn.com/Mozart_Overture_Cosi_Fan_Tutte_Sinfonia_Rotterdam_Conrad_Van_Alphen
Mozart Overture Cosi fan tutte performed live by Sinfonia Rotterdam under the baton of Conrad van Alphen in De Doelen Rotterdam on 26 September 2015.
Video by Max Boeree and Sound by Peter Arts
- published: 23 Oct 2015
- views: 287968
2:36
Così fan tutte: 'Soave sia il vento' – Mozart
Nicolas Rivenq as Don Alfonso, Miah Persson as Fiordiligi and Anke Vondung as Dorabella sing the trio 'Soave sia il vento' in the 2006 Glyndebourne Festival Pro...
Nicolas Rivenq as Don Alfonso, Miah Persson as Fiordiligi and Anke Vondung as Dorabella sing the trio 'Soave sia il vento' in the 2006 Glyndebourne Festival Production of Mozart's Così fan tutte.
The DVD and Blu-ray of this production are available from the Glyndebourne Shop: https://www.glyndebourneshop.com/products/cosi-fan-tutte-2006
https://wn.com/Così_Fan_Tutte_'Soave_Sia_Il_Vento'_–_Mozart
Nicolas Rivenq as Don Alfonso, Miah Persson as Fiordiligi and Anke Vondung as Dorabella sing the trio 'Soave sia il vento' in the 2006 Glyndebourne Festival Production of Mozart's Così fan tutte.
The DVD and Blu-ray of this production are available from the Glyndebourne Shop: https://www.glyndebourneshop.com/products/cosi-fan-tutte-2006
- published: 27 May 2010
- views: 754635
3:11:08
Mozart, Cosi Fan Tutte, Marriner
Wolfgang Amadeus Mozart - Cosi Fan Tutte
Mattila, Van Otter, Araiza, Van Dam, Allen
Academy of St Martin in the Fields
Neville Marriner
Decca, June 1 2009
Wolfgang Amadeus Mozart - Cosi Fan Tutte
Mattila, Van Otter, Araiza, Van Dam, Allen
Academy of St Martin in the Fields
Neville Marriner
Decca, June 1 2009
https://wn.com/Mozart,_Cosi_Fan_Tutte,_Marriner
Wolfgang Amadeus Mozart - Cosi Fan Tutte
Mattila, Van Otter, Araiza, Van Dam, Allen
Academy of St Martin in the Fields
Neville Marriner
Decca, June 1 2009
- published: 31 Mar 2015
- views: 203969
2:26:06
Mozart | Così fan tutte | Wiener Philharmoniker | Joana Mallwitz | Salzburg 2020
Salzburger Festspiele 2020 | aus dem Großen Festspielhaus
"Così fan tutte" | Dramma giocoso in zwei Akten
Musik: Wolfgang Amadé Mozart
Libretto: Lorenzo Da...
Salzburger Festspiele 2020 | aus dem Großen Festspielhaus
"Così fan tutte" | Dramma giocoso in zwei Akten
Musik: Wolfgang Amadé Mozart
Libretto: Lorenzo Da Ponte
Wiener Philharmoniker
Vereinigung Wiener Staatsopernchor
Dirigentin: Joana Mallwitz
Choreinstudierung: Huw Rhys James
Regie: Christof Loy
Fiordiligi: Elsa Dreisig
Dorabella: Marianne Crebassa
Guglielmo: Andrè Schuen
Ferrando: Bogdan Volkov
Despina: Lea Desandre
Don Alfonso: Johannes Martin Kränzle
https://wn.com/Mozart_|_Così_Fan_Tutte_|_Wiener_Philharmoniker_|_Joana_Mallwitz_|_Salzburg_2020
Salzburger Festspiele 2020 | aus dem Großen Festspielhaus
"Così fan tutte" | Dramma giocoso in zwei Akten
Musik: Wolfgang Amadé Mozart
Libretto: Lorenzo Da Ponte
Wiener Philharmoniker
Vereinigung Wiener Staatsopernchor
Dirigentin: Joana Mallwitz
Choreinstudierung: Huw Rhys James
Regie: Christof Loy
Fiordiligi: Elsa Dreisig
Dorabella: Marianne Crebassa
Guglielmo: Andrè Schuen
Ferrando: Bogdan Volkov
Despina: Lea Desandre
Don Alfonso: Johannes Martin Kränzle
- published: 09 May 2022
- views: 38610
1:33:03
Mozart - Cosi Fan Tutte (with Cecilia Bartoli, Liliana Nikiteanu, Agnes Baltsa) | Act 1/2
From Opernhaus Zürich, Switzerland, 2000
Wolfgang Amadeus Mozart’s Opera in Two Acts, with libretto by Lorenzo da Ponte
Watch the second act: https://youtu.be/j...
From Opernhaus Zürich, Switzerland, 2000
Wolfgang Amadeus Mozart’s Opera in Two Acts, with libretto by Lorenzo da Ponte
Watch the second act: https://youtu.be/jy9ujQm6BrE
Subscribe to wocomoMUSIC: https://goo.gl/ahZRzC
Follow us on Facebook: http://www.facebook.com/wocomo
Fiordiligi - Cecilia Bartoli (mezzo-soprano)
Dorabella - Liliana Nikiteanu (mezzo-soprano)
Ferrando - Roberto Saccà (tenor)
Giulelmo - Oliver Widmer (bass-baritone)
Despina - Agnes Baltsa (mezzo-soprano)
Don Alfonso - Carlos Chausson (bass-baritone)
Chorus and Orchestra of the Opernhaus Zürich
Nikolaus Harnoncourt - conductor
Wolfgang Amadeus Mozart - Così Fan Tutte
0:00 Overture
4:37 Act I Trio "La mia Dorabella"
7:48 Act I: Trio "E la fede delle femmine"
10:52 Act I: Trio "Una bella serenata"
13:48 Act I: Duet "Ah! guarda sorella"
19:28 Act I: Aria "Vorrei dir e cor non ho"
21:27 Act I: Quintet "Sento o Dio che questo piede"
26:50 Act I: Choir "Bella vita militar!"
28:18 Act I: Quintet "Di scrivermi ogni giorno"
32:02 Act I: Trio "Soave sia il vento"
48:27 Act I: Sextet "Alla bella Despinetta"
54:45 Act I: Aria "Come scoglio immoto resta"
1:07:22 Act I: Aria "Un aura amorosa"
1:14:11 Act I: Duet: "Ah! che tutta in un momento"
© Licensed by Digital Classics Distribution
https://wn.com/Mozart_Cosi_Fan_Tutte_(With_Cecilia_Bartoli,_Liliana_Nikiteanu,_Agnes_Baltsa)_|_Act_1_2
From Opernhaus Zürich, Switzerland, 2000
Wolfgang Amadeus Mozart’s Opera in Two Acts, with libretto by Lorenzo da Ponte
Watch the second act: https://youtu.be/jy9ujQm6BrE
Subscribe to wocomoMUSIC: https://goo.gl/ahZRzC
Follow us on Facebook: http://www.facebook.com/wocomo
Fiordiligi - Cecilia Bartoli (mezzo-soprano)
Dorabella - Liliana Nikiteanu (mezzo-soprano)
Ferrando - Roberto Saccà (tenor)
Giulelmo - Oliver Widmer (bass-baritone)
Despina - Agnes Baltsa (mezzo-soprano)
Don Alfonso - Carlos Chausson (bass-baritone)
Chorus and Orchestra of the Opernhaus Zürich
Nikolaus Harnoncourt - conductor
Wolfgang Amadeus Mozart - Così Fan Tutte
0:00 Overture
4:37 Act I Trio "La mia Dorabella"
7:48 Act I: Trio "E la fede delle femmine"
10:52 Act I: Trio "Una bella serenata"
13:48 Act I: Duet "Ah! guarda sorella"
19:28 Act I: Aria "Vorrei dir e cor non ho"
21:27 Act I: Quintet "Sento o Dio che questo piede"
26:50 Act I: Choir "Bella vita militar!"
28:18 Act I: Quintet "Di scrivermi ogni giorno"
32:02 Act I: Trio "Soave sia il vento"
48:27 Act I: Sextet "Alla bella Despinetta"
54:45 Act I: Aria "Come scoglio immoto resta"
1:07:22 Act I: Aria "Un aura amorosa"
1:14:11 Act I: Duet: "Ah! che tutta in un momento"
© Licensed by Digital Classics Distribution
- published: 08 Mar 2021
- views: 129332
1:19
Mozart's Così fan tutte: What is the story?
Our Così fan tutte cast tell us what it's all about, from the rehearsal studio...
Fiordiligi: Alexandra Lowe
Dorabella: Heather Lowe
Ferrando: Anthony Gregory
...
Our Così fan tutte cast tell us what it's all about, from the rehearsal studio...
Fiordiligi: Alexandra Lowe
Dorabella: Heather Lowe
Ferrando: Anthony Gregory
Guglielmo: Henry Neill
Touring Feb–Apr 2024
Book 👉 https://www.operanorth.co.uk/whats-on/cosi-fan-tutte/?utm_source=youtube&utm_medium=social&utm_campaign=cosi
https://wn.com/Mozart's_Così_Fan_Tutte_What_Is_The_Story
Our Così fan tutte cast tell us what it's all about, from the rehearsal studio...
Fiordiligi: Alexandra Lowe
Dorabella: Heather Lowe
Ferrando: Anthony Gregory
Guglielmo: Henry Neill
Touring Feb–Apr 2024
Book 👉 https://www.operanorth.co.uk/whats-on/cosi-fan-tutte/?utm_source=youtube&utm_medium=social&utm_campaign=cosi
- published: 10 Jan 2024
- views: 3256
3:09:12
W.A. Mozart: Cosi fan tutte
Wolfgang Amadeus Mozart (1756-1791): Cosi Fan Tutte KV588
Dramma giocoso in 2 acts
Libretto by Lorenzo da Ponte
First performance at the Burgtheater, Vienna, Ja...
Wolfgang Amadeus Mozart (1756-1791): Cosi Fan Tutte KV588
Dramma giocoso in 2 acts
Libretto by Lorenzo da Ponte
First performance at the Burgtheater, Vienna, January 26, 1790
Fiordiligi: Valentina Nafornita
Dorabella: Stephanie Guerin
Guglielmo: Robert Gleadow
Ferrando: Joel Prieto
Despina: Susana Cordon
Don Alfonso: Bruno de Simone
Lausanne Chamber Orchestra
Chorus of the Lausanne Opera
Pascal Mayer, direction
Musical direction: Joshua Weilerstein
Director: Jean Liermier
Sets and costumes: Rudy Sabounghi
Lights: Jean-Philippe Roy
Wigs and beards: Cécile Kretschmar
Assistant director: Jean-Philippe Guilois
https://wn.com/W.A._Mozart_Cosi_Fan_Tutte
Wolfgang Amadeus Mozart (1756-1791): Cosi Fan Tutte KV588
Dramma giocoso in 2 acts
Libretto by Lorenzo da Ponte
First performance at the Burgtheater, Vienna, January 26, 1790
Fiordiligi: Valentina Nafornita
Dorabella: Stephanie Guerin
Guglielmo: Robert Gleadow
Ferrando: Joel Prieto
Despina: Susana Cordon
Don Alfonso: Bruno de Simone
Lausanne Chamber Orchestra
Chorus of the Lausanne Opera
Pascal Mayer, direction
Musical direction: Joshua Weilerstein
Director: Jean Liermier
Sets and costumes: Rudy Sabounghi
Lights: Jean-Philippe Roy
Wigs and beards: Cécile Kretschmar
Assistant director: Jean-Philippe Guilois
- published: 03 Dec 2022
- views: 22223
4:35
Così fan tutte – Come Scoglio aria (Corinne Winters, The Royal Opera)
Corinne Winters in Mozart's theatrical and tuneful comedy about love and fidelity. Find out more https://www.roh.org.uk/productions/cosi-fan-tutte-by-jan-philip...
Corinne Winters in Mozart's theatrical and tuneful comedy about love and fidelity. Find out more https://www.roh.org.uk/productions/cosi-fan-tutte-by-jan-philipp-gloger
Così fan tutte contains some of Mozart's most beautiful arias and attractive ensembles, and is packed with both pathos and humour. German director Jan Philipp Gloger is inspired by Così's alternative title, 'the school for lovers', to set his production in a theatre, with Don Alfonso as an impresario who leads the four lovers on a role-playing journey full of picturesque settings. By the end, everyone has, in Gloger's words, learnt that 'love is not a God-given thing, but something that we have to fight for, find, define, create and dream newly, almost every day'.
Così fan tutte was Mozart's final collaboration with the Italian librettist Lorenzo da Ponte, who based his story on a variety of sources including Greek myths and Renaissance tales. Così was slower to find success than Mozart and Da Ponte's previous collaborations, Le nozze di Figaro and Don Giovanni. Its first run of performances was cut short by the death of Emperor Joseph II, and in the 19th century many viewed its plot as immoral or even cruel. However, since the second half of the 20th century its wonderful music and Mozart and Da Ponte's witty, compassionate examination of young love have ensured its lasting popularity.
https://wn.com/Così_Fan_Tutte_–_Come_Scoglio_Aria_(Corinne_Winters,_The_Royal_Opera)
Corinne Winters in Mozart's theatrical and tuneful comedy about love and fidelity. Find out more https://www.roh.org.uk/productions/cosi-fan-tutte-by-jan-philipp-gloger
Così fan tutte contains some of Mozart's most beautiful arias and attractive ensembles, and is packed with both pathos and humour. German director Jan Philipp Gloger is inspired by Così's alternative title, 'the school for lovers', to set his production in a theatre, with Don Alfonso as an impresario who leads the four lovers on a role-playing journey full of picturesque settings. By the end, everyone has, in Gloger's words, learnt that 'love is not a God-given thing, but something that we have to fight for, find, define, create and dream newly, almost every day'.
Così fan tutte was Mozart's final collaboration with the Italian librettist Lorenzo da Ponte, who based his story on a variety of sources including Greek myths and Renaissance tales. Così was slower to find success than Mozart and Da Ponte's previous collaborations, Le nozze di Figaro and Don Giovanni. Its first run of performances was cut short by the death of Emperor Joseph II, and in the 19th century many viewed its plot as immoral or even cruel. However, since the second half of the 20th century its wonderful music and Mozart and Da Ponte's witty, compassionate examination of young love have ensured its lasting popularity.
- published: 08 Jan 2019
- views: 80376